The Destruction Of Steroid Use - 2088 Words

The Destruction of Steroid Use Ever see those people on television or the internet and think that you want to be just like them because of how big and muscular they are, well not all of them you want to be like. Body builders or even some professional athletes are not honest about how they really got so big and strong. The case behind this is due the widely known illegal drug known as steroids. Steroids have been used by a enormous group of people throughout the century and have brought along with them huge and devastating problems. The reason for these major problems that comes along with the use of steroids are that users will take advantage and abuse these drugs. Due to such negative effects that steroids bring and the addictions, the†¦show more content†¦Steroids have been around since the early 20th century, later they were then illegalized due to many factors, one of these factors being that they are addictive. Although, steroids might have been banned from the United States due to its side effects and addictiveness it did not stop people from abusing these drugs. Steroids compared to other sorts of drugs such as heroine, do not have the same side effects due to the fact that steroids do not provide the same â€Å"high.† NIDA states that, â€Å"The most important difference is that steroids do not trigger rapid increases in the brain chemical dopamine, which causes the high that drives people to abuse other substances† (NIDA 2). This shows that other drugs such as heroine gives users effects that draws them back to the drug, unlike steroids, which draws users back due to the urge to want to get bigger and better. Also, â€Å"Studies have shown that animals will self-administer steroids when they have the chance, just as they do with other addictive drugs† (NIDA 2). Not only does this show that animals too will abuse steroids, but studies show that other drugs might also be similar to steroids and that leads back to the fact on why they were illegalized. Ma ny groups of people are drawn to steroids due to the fact that they are not happy with their current standards with themselves in life. Not

By night in chile Free Essays

This is the story of a boy who yearned to be a poet but became an Opus Dei priest Father Sebastian Urrutia. His love is for the literary arts and continues writing poems even as he continues his work as a priest. He is challenged to preserve churches in Europe and encounters odd priests who have a prejudice for pigeons, maintaining falcons in order to keep the pigeons away. We will write a custom essay sample on By night in chile or any similar topic only for you Order Now One of the priests posits that falconry is the destruction of the symbol of the Holy Spirit. Father Urrutia is sent to teach Marxism to General Pinochet and his Junta secretly. He occasionally goes to the house of a literary lady Maria Canales who has a penchant for hosting parties to artists and authors. As the story progresses, it is revealed that the American husband of the hostess collaborates with the Chilean secret service so that they can detain and imprison suspected subversives. They are kept in the basement of the house where his Chilean wife had these parties. The author masterfully weaves the story and exudes the creative and destructive forces of Chilean politics and literature. He uses magical realism in order to stimulate readers’ minds using graphic style of writing as well as satire and sarcasm. This paper looks at the entity of Urrutia who remains indifferent of the plight of man as well as the destructive apathy of Chilean literature amidst corruption and literary collapse. Bolano uses this narrator to point out the air of complacency that pervades the artists, officials and other people who are accountable to history because of the show of indifference. Father Urrutia is not interested in politics at all since he is basically a priest and literary critic and a priest first and foremost but the political events at that present time seem to get a hold at the upper class circles of literati whom he associates with. His has a comical reaction to the election of Allende (and Pinochet’s subsequent coup) since as the people of Chile march to the streets in sweeping social change, Urrutia indulges himself in classical Greek literature so that he is able to escape the political confusion that may derail him from his own personal pursuits. Pinochet succeeds and restores some kind of order. Urrutia is able to breathe as he senses peace at hand. Thus the priest seemingly has distantiated himself from this kind of responsibility and escapes in his own world. He thinks that it distracts him from his art. He is of the thinking that he needs to find something if he does indulges in the confusion of politics if he is to pursue it at all. Thus, he is alienated from the times. Basic to being an effective person is the fact that we are able to make decisions and freely choose from among alternatives. One’s likes and dislikes are partly the wisdom of one’s organism, partly the result of helpful learning that protects one and keeps one out of trouble, and partly the result of harmful learning. Harmful learning includes certain kinds of accidental learning brought about by chance circumstances, as well as conditioned responses that were once appropriate but are no longer so. These obsolete ways of thinking and feeling make it hard for one to act in healthy and satisfying ways now. But when one pays attention to one’s liking and disliking, one naturally becomes more fully aware of likes and dislikes of what one wants to do and do not want to do. One discovers that these sometimes contradict with what one should like and dislike, if one is aware of what is happening inside him. As Urrutia refuses to recognize the kind of apathy that he has for being involved with the exigencies of the times then, he cannot identify with the people around him. The author states that Urrutia maintains that â€Å"One has a moral obligation to take responsibility for one’s actions, and that includes one’s words and silences, yes, one’s silences, because silences rise to heaven too, and God hears them, and only God understands and judges them, so one must be very careful with one’s silences. I am responsible in every way. My silences are immaculate. Let me make that clear. Clear to God above all. † (Bolano, 1) Thus, his silence can be a kind of cowardice and stubbornness that characterize his motives. Maria Canales’ house is the host of a soiree and a few of Chile’s well-bred and worldly poets gather to drink cocktails. There is a kind of denial about the urgency of the times as one guest accidentally discovers man manacled who has been tortured because he was an anti-Pinochet dissident. The guest discovers this was done by Canales’ husband, Jimmy Thompson. Urrutia thus looks deeply at the implications of this and how it reflects on the inappropriate choice of Canales as the party is done in the same house. â€Å"Because, normally, when she had a soiree, the basement was unoccupied. I asked myself the following question: Why then, on that particular night, did a guest who lost his way find that poor man? The answer was simple: Because with time, vigilance tends to relax, because all horrors are dulled by routine. I asked myself the following question: Why didn’t anyone say anything at the time? The answer was simple: Because they were afraid. I was not afraid. I would have been able to speak out but I didn’t see anything, I didn’t know until it was too late. Why go stirring up things that had settled down after a few years? † (Bolano, 122). Every guest in the party ignores and dismisses this as people get to know about the tortured man at the basement of the house where the party was being held. It is a pity that a priest like Urrutia could justify this inhumanity saying that this is some sort of a goal of literary history, â€Å"That is how literature is made, that is how the great works of Western literature are made. You better get used to it. † (Bolano, 128). Urrutia as an indifferent man is like that of the tortured man and the symbolism that this entails is replete all throughout the story because other people are also indifferent to the plight of the people. Bolano is able to create Urrutia as a pessimistic embodiment of the moral apathy of the writers during the regime of Pinochet. The kind of true responsibility is lacking in Urrutia because response-ability according to Perls, is often a misused word that refers to â€Å"the ability to respond: the ability to be alive, to feel, to be sensitive. † (GTV, 100). It does not mean â€Å"obligation. † It does not mean â€Å"duty. † It is actually a trait that directs a person to do a task without asking why. One does it automatically and because he has been committed to doing that no matter what happens. Discretion is a trait that characterizes the career of Urrutia and his views become distorted as guilt overwhelms him. Author Eder of The New York Times maintains that â€Å"His avowals fall suddenly mute; his omissions blare revelation. † (Eder). WORKS CITED Bolano, Roberto. By Night in Chile. New Directions Publishing Corporation (December 2003) Eder, Richard. Books of the Times: A Priest who Lived Trhough the Grim Pinochet Era. The New York Times. Retrieved June 5, 2008 at: http://query. nytimes. com/gst/fullpage. html? res=9B00E2DB1030F935A25752C0A9629C8B63n=Top%2FFeatures%2FBooks%2FBook%20Reviews How to cite By night in chile, Papers

Nitun Kundu from Art to Enterprise Essay Sample free essay sample

1. Sum up the instance.2. ‘Entrepreneurs use left-brain accomplishments to reap right-brain ideas’ . Explain the statement analysing the life narrative of Nitun Kundu. 3. Which term is appropriate for the originative activities of Nitun Kundu – ‘Windows’ or ‘Corridors’ ? Justify the sentiment. 1. Summary of the Case ( Nitun Kundu – from Art to Enterprise ) The celebrated creative person Nitun Kundu was born in a lower in-between category household on December 3 at Barobandar. Dinajpur in 1935. He was non merely a celebrated creative person but besides a dynamic interior decorator. fervent painter. freedom combatant every bit good as a successful enterpriser. By born he was originative minded and in this effect. after finishing his school matriculation. he acquire admitted Fine Arts Institute of Dhaka University in the section of picture. The diligent and dedicated Kundu passed a mensurable clip in his pupil life. so his professors loved him and excused him to take leave to gain excess money by painting film postings. The immature Kundu neer lamented on his fiscal state of affairs ; instead became determined to make something creative through the inspiration of Zainul Abedin. Quamrul Hassan and Abonindo Thakur. This mastermind completed his Bachelor of Fine Arts and stood 1st in his section. He wished to fall in as a module member of Fine Arts Institute but he took up the place of Chief Designer for cultural activities in the United States Information Service ( USIS ) . After 12 old ages of service at USIS. he left the organisation and one time once more hoped to go a faculty member of Fine Arts Institute. But the dream remained unrealized to the nationalist Kundu because during the seventiess. he immersed himself in the Liberation war. He used to paint streamers and postings for the war and one of his iconic postings of that clip was â€Å"Shodajagroto Banglar Muktibahini† . After Independence of Bangladesh. Kundu married in 1972 and became a male parent in1974 with birth of his girl Amiti Kundu and subsequently his boy Amitesh Kundu. The responsible Kundu realized that he had a household of his ain to take attention of. He turned his life room into his studio where he made little wooden and clay ornament pieces- which he sold and gain plenty to run his family. Subsequently the endowment Kundu joined with BTOPI as a interior decorator and the company was really pleased with his work. He gained experience and expertness in this field and decided to open his owned company named OTOBI and rented a topographic point on Elephant Road and a little mill on Tophaka Road. OTOBI grew big ger and bigger. but even so Kundu made certain that he taught some accomplishments and techniques to his employees by manus. He visited carnivals and mills all across the universe to familiarise himself with the latest designs and engineerings. Now his girl Amiti caputs OTOBI as the manager and his boy Amitesh is the pull offing manager. Kundu had taught them good about the societal duty of a concern organisation. He was a superb enterpriser and ever prioritized client satisfaction. but made no via media in footings of aesthetics. This advanced creative person did a batch for our state. He designed National Film Award trophy. Asia Cup Cricket trophy. BTV-Natun Kuri. Ekushey Padak. President Gold Cup and so on. He was besides the Godhead of ‘Shabash Bangladesh’ statue at Rajshahi University. ‘SAARC Fountain’ at Kazi Nazrul Islam Avenue. historic ‘Indira Mancha’ at Suhwardy Uddyan. ‘Sampan’ at Chittagong Airport etc. Before his decease he won a figure of awards and rubrics. including ‘Ekushey Padak’ in 1997 and Bangladesh Business Award with OTOBI as the Enterprise of the twelvemonth in 2001. 2. â€Å"Entrepreneurs use left-brain accomplishments to reap right-brain ideas† : Explanation of the Statement on the footing of life narrative of Nitun Kundu. The persons who are able to utilize left-brain accomplishments to reap right-brain thoughts or creativeness are successful enterpriser. But unluckily. many persons are merely gifted at one or other. The left-brain properties are consciousness. reason. analytical ability and logic. On the other manus. right-brain properties are unconsciousness. non-rationality. intuitiveness and synthesis. Here we discuss about how Nitun Kundu used left-brain accomplishments to reap right-brain thoughts. Right-Brain Left-BrainUnconscious Conscious: : After birth of Amiti in 1974. when Nitun Kundu had no occupation so he decided to do little wooden and clay ornament pieces. with the assistance of local crafts-men. which he sold in his closely knit circle to gain plenty to run his family. Then he joined with BITOPI as a interior decorator and he gained expertness and experience in this field. and finally decided to open his ain company OTOBI. Now it is really clear that foremost Kundu was incognizant and unfocussed on furniture concern and so bit by bit he became more cognizant and focused about the concern. Non-rational Rational: : When Nitun Kundu joined with the BITOPI so he had no desire to establish such sort of concern i. e. he had some spatial imaginativeness without way. But after geting the concern cognition and experience. he decided to establish a new venture i. e. he found some kind of assurance of witting mold of furniture concern. Intuitive Analytic: : In the late seventies. when Nitun Kundu started OTOBI. he had some thoughts and experiences which were gained from BTOPI. But to do the OTOBI bigger and bigger. Kundu visited carnivals and mills all across the universe to familiarise himself with the latest designs and engineerings. Here it is clear that he used cognition in distinct applications to measure the furniture concern. The right-brain accomplishments are important for the vision necessary to be originative. but invention does non happen until left-brain rationalisation take topographic point. Integrating sensitivities from both encephalons is the critical behaviour needed to be a successful enterpriser like Nitun Kundu. to utilize left-brain accomplishments to ‘harvest’ right-brain thoughts. 3. Justification of Opinion:‘Windows’ or ‘Corridor’ – which term is appropriate for the originative activities of Nitun Kundu? A ‘window’ is a clip skyline during which chances exist before something else happens to extinguish them. A alone chance. one time shown to bring forth wealth. will pull rivals. and if the concern is easy to come in. the industry will quickly saturated. On the other manus. another facet of many successful ventures is called ‘corridor’ rule. It suggests that chances evolve from enterprisers being positioned in similar work or holding had experience with related ventures so that when a ‘window’ opens. it is easy for them to travel rapidly into a new venture. So. the term ‘window’ is appropriate for the originative activities of Nitun Kundu. He introduced OTOBI in the late seventies. During that clip. he had no rivals except BITOPI. For this ground. it was a really alone chance and really easy to come in in the market. Besides. BITOPI imported furniture from abroad but OTOBI trades with autochthonal accomplishments. constructs and engineerings. The furniture of OTOBI was designed harmonizing to the originative constructs of Nitun Kundu. He took advantages of â€Å"windows of opportunities† . He visited many carnivals and mills all across the universe to familiarise himself with the latest designs and engineerings. and implemented those in OTOBI. Nitun Kundu had no wise mans for usher his venture. He generated the thoughts A ; constructs. and rectify them harmonizing to his ain manner.